Lobato’s ancestors came from New Mexico to eventually settle in San Luis. Born in the neighborhood called Cuba, she grew up in a two-bedroom adobe house in a family of eight. Lobato’s life revolved around the church and rituals of passage she later depicted in her art. 

Lobato met her husband during a school fire drill at the San Luis school. They married and moved away, returning in 1979 to Chama, a village east of San Luis where her husband’s family was from. 

“The population was about half of what it used to be,” Lobato said of life after she returned. “You had a lot of people that had little farms, and after the war, many just never went back to their farms.”

Lobato’s approach to colcha embroidery helped her share the mythology of the region. She has worked in elementary schools, college classrooms and beyond, connecting local history through her work in a way that relates with students of all ages.

“Many stories were told over a camp fire, and weren’t written anywhere,” she said. “The story of El Milagro de San Acacio is one of those stories.” Local folk lore tells the tale of Spanish settlers who had gone to get wood and to hunt, leaving women and children at camp. A Native American group descended on the settlers, until a vision of Spanish soldiers appeared, preventing them from going further. The people had prayed to be saved and after being spared named the village San Acacio after a patron saint of soldier.

"Mom has been such an inspiration to a lot of other people, and an inspiration to her grandkids,” said her daughter Rita Crespin. “All her grandkids are are artistic in some way. Maybe it's in our blood.”

“At 87, I still have a good imagination for it. I still think of things that I could do,” Lobato said.

Lobato’s work can be seen at Colcha Embroidery of the San Luis Valley, on display at the Arvada Center for the Arts and Humanities through November 13, 2023.

Kate Perdoni is the Engagement Journalism Director for Rocky Mountain PBS. kateperdoni@rmpbs.org.