
Vortex: The Ballet That Rocks!
Published July 17, 2026
Vortex: The Ballet That Rocks!
Three weeks ago, the Reno Rodeo celebrated 107 years of Wild West family fun. Over the years I’ve talked about the challenges of selling ballet to a rodeo town and how this has changed over the years. A.V.A. Ballet Theatre, the resident ballet company of the Pioneer Center for the Performing Arts, has had record ticket sales over the past 25 years and it appears that the cowboys and cowgirls in the region are attending the shows.
Of course, none of this would be happening if Alexander Van Alstyne, the artistic director for A.V.A. Ballet Theatre, wasn’t choreographing entertaining shows. The talent of the dancers and the orchestra provide a real treat for the senses. As a board member for the ballet and their volunteer marketing person, I am pleased to see how this art form has been so well received in the community. A.V.A. Ballet Theatre performs three classical ballets with the Reno Phil at the Pioneer Center and the popular rock ballet “Vortex,” during Artown.
When people typically think of ballet, they picture ballerinas dancing en pointe (on their tippy toes for the ballet challenged like me) to the classical sounds of an orchestra performing Tchaikovsky’s moving scores. With Vortex, Van Alstyne likes to shake things up a little and does something that is a little unconventional. He choreographs an exciting contemporary ballet that’s like no other. Imagine ballerinas performing grande jetés to music by popular rock artists such as Rihanna, Metallica, Jennifer Lopez, and Lady Gaga. The dancing is classical ballet moves en pointe but with an edge and quite a bit sexier than say, Swan Lake.
Vortex is performed outdoors at the gorgeous Robert Z. Hawkins Amphitheater at Bartley Ranch Regional Park. For those who may be intimidated by a ballet and avoid attending a classical one, this is the perfect show for the novice. It’s a little over the top but it is great entertainment. Van Alstyne changes the show each year, so you never quite know what he’s going to present.
A staple of the shows is the scaffolding set and lighting. The dancers interact with both, and it gives the audience a visual spectacle. The props for Vortex are always interesting and it’s fun to see how the choreography is meshed with each one. Props from the past have included a shark cage, a rotating pyramid, cars, motorcycles, and ballet dancers’ barres. There’s the infamous spinning bed. Yes, a spinning bed and ballet – a unique combination.
Van Alstyne says the spinning bed has been retired but he has some new surprises for the stage. Several of the crowd favorites will be returning including the dancing cowboys and spiders with absolutely crazy lighting.
The audience reactions at a rock ballet are a little different than that of a classic ballet. Polite applause and the occasional “bravo” you encounter at the Pioneer Center are replaced with shouts and whistles at Bartley Ranch. Yes, the rock ballet audience seems to interact more with the dancers, and the whole atmosphere is fun and a bit raucous.
As with all A.V.A. Ballet Theatre productions, guest principal dancers from big city ballets will come to Reno to perform. This year, Marize Fumero and Marko Micov will be joining the cast of local dancers.
Fumero was born in Havana and trained at the National Ballet School of Cuba. Upon graduation in 2009, she entered Ballet Nacional de Cuba where she performed many roles. In 2012, Fumero joined the English National Ballet where she danced as Aurora’s Friends and Jewel’s variation in Kenneth MacMillan’s The Sleeping Beauty. She also appeared in Jiří Kylián’s Petite Mort, George Williamson’s Firebird as well as Derek Deane’s Swan Lake and Romeo & Juliet at the Royal Albert Hall. Fumero joined Milwaukee Ballet in 2014 and was promoted to Leading Artist in 2015. Fumero received a Miami Life Award nomination as Best Female Classical Dancer in 2017.
Micov was born in Skopje, Macedonia and began his ballet training under the direction of Sonja Zdrakova-Dezparovski, Ph.D. at the school of the Macedonian Opera and Ballet where he was a member of the corps de ballet. Marko received a full scholarship from the Academy of Mystic Ballet in Connecticut and moved to the United States to continue his training and career.
In 2012 he received an invitation from the legendary Gelsey Kirkland to join her company in New York City. In 64 years of Macedonian ballet history, he is the first dancer from his country to begin a professional career in the United States of America. The spring of 2016, he joined the Ballet San Antonio where he made his debut with the company in Ballet Alive and was named by artistic director, Willy Shives, to perform the lead male in Ballet San Antonio’s premier of Frederik Franklin’s Tribute.
Micov joined Milwaukee Ballet Company for the 2019/20 Season and continues to dance with the company. He was featured as Fritz in The Nutcracker and performed in Garrett Glassman’s I Do, Don’t I? in Ballet Russe Reimagined. This is their encore appearance in Vortex. Both Micov and Fumero also danced with A.V.A. Ballet Theatre in Cinderella and this past spring in Swan Lake.
I asked Van Alstyne about the differences in choreographing the rock ballet versus a classical one. “I can be more inventive with the rock ballet,” he said. “I enjoy pushing the limits of the art form.”
Once again, due to the generosity of many private foundations and a successful classical ballet season, Vortex is being offered free to the general public. A performance being free to the public has always been a hallmark of Artown and A.V.A. Ballet Theatre is pleased to be able to showcase contemporary ballet to a broader audience.
There will be two showings of the rock ballet, Vortex—Friday July 17th and Saturday July 18th. Both shows are at 8:30pm. It’s just getting dark when the music of the rock ballet begins, and I can assure you the lighting is an integral component of the production. If you’re looking for a fun way to spend a summer evening, there is no better place than Bartley Ranch. The dancers from A.V.A. Ballet Theatre are sure to excite and entertain you.
On another exciting topic, A.V.A. Ballet Theatre and the Reno Phil will be preforming Sleeping Beauty at the Pioneer Center September 19th and 20th. Laura Jackson will be conducting the Reno Phil. There is no canned music for an A.V.A. Ballet Theatre classical performance.
Steve Trounday is a board member at A.V.A. Ballet Theatre, the resident ballet company of the Pioneer Center.

More from Steve Trounday
The Conservatory of Movement by Steve Trounday — June 5, 2026
Giving Huge Props by Steve Trounday — April 24, 2026
A.V.A. Ballet Theatre 2026 Season by Steve Trounday — January 30, 2026
The Nutcracker Returns to Reno by Steve Trounday — December 19, 2025
From the Sea to the Stage: The Little Mermaid by Steve Trounday — September 12, 2025
Collaboration Beyond the Stage by Steve Trounday — August 15, 2025
Vortex, The Ballet That Rocks! by Steve Trounday — July 4, 2025
A RAD-iant Method of Ballet Training by Steve Trounday — May 23, 2025
Injuries in Ballet by Steve Trounday — April 11, 2025
Take Flight with Peter Pan, A.V.A. Ballet Theatre, and the Reno Phil by Steve Trounday — February 28, 2025
A.V.A. Ballet Theatre’s 2025 Season by Steve Trounday — January 17, 2025
The Nutcracker 2024 by Steve Trounday — December 6, 2024
Learning Ballet from Miss Miriam by Steve Trounday — October 25, 2024
A Wonderful Collaboration of Performing Arts by Steve Trounday — September 13, 2024
Skye’s the Limit by Steve Trounday — August 9, 2024
Get Ready for Vortex, the Ballet that Rocks! by Steve Trounday — July 5, 2024
Shining a Light on Ballet by Steve Trounday — May 29, 2024
Higher for Hire: Ballet Benefits a Résumé by Steve Trounday — April 26, 2024
Classic Fairytale Cinderella Takes the Stage at the Pioneer Center by Steve Trounday — March 22, 2024
Bené Arnold - Legendary Ballet Dancer and Instructor by Steve Trounday — February 16, 2024
A.V.A. Ballet Theatre’s 2024 Season by Steve Trounday — January 12, 2024
Behind the Scenes of The Nutcracker by Steve Trounday — December 8, 2023
Dance: The Most Physically Active Job in America by Steve Trounday — October 27, 2023
Don’t Miss Coppélia This Weekend by Steve Trounday — September 15, 2023
Step by Step: Ballet Basics by Steve Trounday — August 11, 2023
Vortex, the Ballet that Rocks by Steve Trounday — July 7, 2023
Heart and Soul by Steve Trounday — June 2, 2023
The Cost of Performing Arts by Steve Trounday —April 28, 2023
Do You Want to Go See Frozen? by Steve Trounday — March 24, 2023





